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Location: Lummi Island, Washington
Ships to: US,
Item: 122575168550
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Item must be returned within:30 Days
Refund will be given as:Money back or replacement (buyer’s choice)
Material:Ceramic
Color:Beige
Pottery:Vase
Well Preserved Genuine Earthenware Impressed Jar/Vase BC200. CLASSIFICATION: Earthenware Impressed Design Pot. ATTRIBUTION: Ancient China. In the Style of Chou or Warring States Period (475-221 B.C.). Possibly an 18th or 19th Century Revival Imitative. SIZE/MEASUREMENTS: Diameter: 191millimeters (7 2/3 inches) at bowl; 108 millimeters (4 1/3 inches) at top lip, 130 millimeters (4 1/4 inches) at base. Height: 112 millimeters (5 1/2 inches). CONDITION: Very good, complete and unrepaired. Little blemishes consistent with wear and then burial since ancient times including a few of the customary (almost obligatory) tiny rim chips. The typical blemishes of hand production (warts and dimples, zits and pits). DETAIL: A complete, unrepaired medium sized impressed earthenware pot/jar in the style of the third or fourth century B.C. Warring States Period. The style of pot, the intricate impressing, and the grey clay color suggest it might be of Chou origin. The term “impressed” means that a design was impressed into the still wet vessel before it was fired. In more ancient times, more often than not this involved rolling the vase over a fibre mat, or pressing a piece of mat into the vessel, impressing a design into the still-wet clay. Later more sophisticated techniques such as this vessel saw wood blocks used to impress the design into the vessel. If you look closely at this vessel, you can see that indeed a wood block was used to impress the same design over and over again into the wet clay. You can see in many instance where the alignment of one block was not quite square with the next, some overlapping, others with a clear boundary between the impression blocks. It is a fairly large-sized piece, the size of a very large honeydew melon. You can also see that two (non-functional) “handles” were added to the vessel, likewise made from grey clay, and attached to the bowl while both were still wet. What’s really remarkable is that it the vessel is entirely intact. There is of course a small collection of tiny chips to the open top rim, the pedestal, as well as a few chips and nicks scattered throughout, indications of ordinary wear one would expect of a vessel which had been produced and used in the ancient world. However considering the age of the vessel, these are rather minor (and entirely customary and acceptable) blemishes. There are no cracks to the vessel, and there are no repairs. Considering that the typical such specimen is recovered shattered into shards, this specimen is truly in remarkable condition. There is an assortment of the normal blemishes (warts and dimples, zits and pits) one expects with earthenware crudely fashioned by hand. There are a series of circumferential riblets visible beneath the top lip of the rim. This is evidence of the potter’s touch of course, the result of being turned on a wheel. After being turned, a layer of wet clay (“slip”) would have been overlaid, and then the piece would have been impressed with the various wood blocks providing the different accent styles. Overall it is a very attractive piece, a nicely preserved intact specimen of the ancient Chinese art of pottery. It is solidly shaped, nicely featured, and nicely proportioned. Filled with dried flowers for display, it would be a very handsome piece. You could showcase this with great pride either at work on your desk or at home. Either way, it will certainly generate curiosity and perhaps even a little envy! Although it is probable that this specimen is much older, we would be remiss not to mention that there is conceivably some possibility that this piece might be a revivalist imitative produced for the European market of the 18th or 19th century. It is widely known that Chinese porcelain and other ceramic artwork was quite popular in Victorian Europe. Carrying Chinese porcelain from China to Europe was an industry for the seafaring mariners of the 16th, 17th, and 18th centuries. Entire fleets of sailing ships plied the trade, especially the Dutch and English. However in addition to porcelain, ancient Chinese ceramics were also extremely popular in Victorian Europe, where Chinese ceramic artwork was highly appreciated and in great demand. Although the style of this specimen is very convincing and suggests it might indeed be of Warring States or Chou Dynasty origin, a large portion of the antique/ancient Chinese ceramics in Europe date to the 18th or 19th century, so it is quite possible that this is an imitative revival piece. Judging by the style it is likely considerably older, but only an $800 thermoluminescence test would establish this conclusively (and even then the reliability and accuracy of such testing is still debated). So we’ll simply err on the side of being conservative and suggest that you consider it a revival piece, and if it is indeed older, so much the better. However whether an antique several centuries old, or an antiquity several millennia old, this is a valuable and collectible piece of art. HISTORY OF THE ZHOU DYNASTY: Sharing the language and culture of the preceding Shang Dynasty, the Zhou (Chou) Dynasty through conquest and colonization gradually enveloped much of North China. The Zhou dynasty lasted longer than any other, from 1027 to 221 B.C. The early decentralization of the Zhou Dynasty has oftentimes been compared to Europe’s medieval feudal system. However social organization in the Zhou Dunasty was more predicated upon family and tribal ties than feudal legal bonds. Philosophers of the period enunciated the doctrine of the “mandate of heaven”, the notion that the ruler (the “son of heaven”) governed by divine right. In reality the emperor shared power with the local lords. At times the local lords were oftentimes more powerful than the emperor. In the later dynasty, large scale conflicts oftentimes erupted between rival local lords (eventually culminating in the “Warring States” period). The late Zhou Dynasty’s potpourri of city-states became progressively centralized, characterized by greater central control over local governments and systematic agricultural taxation. The iron-tipped, ox-drawn plow, together with improved irrigation techniques, brought higher agricultural yields, which, in turn, supported a steady rise in population. The growth in population was accompanied by the production of much new wealth, and a new class of merchants and traders arose. However in 771 B.C. the Zhou court was sacked, and its king was killed by invading barbarians who were allied with rebel lords. The Zhou retreated eastward relocating their capital city. Today historians divide the Zhou Dynasty into the Western Zhou (1027-771 B.C.) and Eastern Zhou (770-221 B.C.). The west was abandoned, and the power of the Eastern Zhou Dynasty gradually diminished. The Eastern Dynasty itself is further divided by historians into two periods reflecting the accelerating fragmentation and disintegration of China. The first from 770 to 476 B.C. is called the Spring and Autumn Period. The second is known as the Warring States Period (475-221 B.C.), as China completely dissolved. Though marked by disunity and civil strife, these two periods marked an era of cultural advancements known today as the “golden age” of China. Commerce was stimulated by the introduction of coinage. The use of iron not only revolutionized the production of weaponry but also the manufacture of farm implements. An atmosphere of reform was the result of the competition between rival warlords to build strong and loyal armies, requiring increased economic production and a strong tax base. This created a demand for ever-increasing numbers of skilled, literate officials and teachers (a “civil service”), recruited on merit. Public works such as flood control, irrigation projects, and canal digging were executed on a grand scale. Enormous walls were built around cities and along the broad stretches of the northern frontier. Many of the era’s intellectuals were employed as advisers by China’s rulers on the methods of government, war, and diplomacy. So many different philosophies developed during these two periods that the era is often referred to as “The Hundred Schools of Thought”. The period produced many of the great classical writings on which Chinese practices were to be based for the next two and one-half millennia, including those of Confucius (551-479 B.C.). HISTORY OF ZHOU EARTHENWARE: During the Zhou (Chou) Dynasty (1027-221 B.C.), bronzes as well as ceramics became less religious or spiritual in nature, and were often given as wedding gifts for household decoration. Images of totemic animals and monsters gave way to colorful, abstract, ornamental, pieces often inlaid on the surface in gold or semiprecious stones. Bronze bells and mirrors were also popular during this period. In addition to glazed ceramics, there were new developments and styles in both wood sculpture and lacquerwork. Ceramic objects began to replace more expensive bronze vessels in tombs, and ceramics technology continued to advance. HISTORY OF CHINESE CERAMICS: The first Chinese ceramics archaeologists have found date back more than 10,000 years. These were earthenware, which means they were made from clay and fired at the kind of low temperatures reached by a wood fire or simple oven. In China, most ceramics made before the Tang dynasty (600 A.D.) are earthenware. They may be glazed or unglazed, and are occasionally painted, often brightly colored. Stoneware ceramics are harder and less porous than earthenware and are fired at hotter temperatures—between 2100°F and 2400°F. At these high temperatures, the surface of the clay melts and becomes glassy. Although stoneware is usually waterproof, most stoneware ceramics are glazed for decoration. The glazes often contain ash, which allows the glaze to harden at stoneware temperatures. During the Shang Dynasty (1600-1100 B.C.) bronze metallurgy superceded ceramics as the favored art form of the ruling class. However both the ceramic and the bronze industries evolved into complex systems of production that were supported by the aristocracy. Decorative designs rich in symbolism were created first in bronze were then imitated in clay. Chinese burial customs included the tradition of placing clay replicas of material possessions, animals and people in the tomb to accompany the deceased and serve them in the next life. Although archaeological finds have revealed that glazed pottery was produced as early as 1100 B.C. during the Zhou dynasty, the production of glazed wares was not common until about 200 B.C. during the Han Dynasty. However from about 1000 B.C. onwards during the Shang and Zhou dynasties, primitive porcelain wares emerged. Real porcelain wares appeared in the Han dynasty around 200 A.D. In the process of porcelain development, different styles in different periods blossomed. The production of porcelain became widespread by about 500 A.D. Using a special clay with ground rock containing feldspar, a glassy mineral, the material was fired at very high temperatures above 2400°F. The surface of the clay melts at such high temperatures and becomes smooth as glass. Early porcelains were undecorated and were used by the Imperial court and exported as far as the Middle East. For instance during the Han Dynasty principally celadon (green) and black porcelain were mainly produced. The famous blue and white porcelain was created with blue paint made from cobalt and then covered with a clear glaze, which can withstand the high temperatures of the kiln. The technical and creative innovations of Chinese potters are unique accomplishments in the cultural heritage of the world. Today, archaeological excavation and research in China are revealing new sites and new examples of the genius of the Chinese potter. HISTORY OF CHINESE CIVILIZATION: Remains of Homo erectus, found near Beijing, have been dated back 460,000 years. Recent archaeological studies in the Yangtse River area have provided evidence of ancient cultures (and rice cultivation) flourishing more than 11,500 years ago, contrary to the conventional belief that the Yellow River area was the cradle of the Chinese civilization. The Neolithic period flourished with a multiplicity of cultures in different regions dating back to around 5000 B.C. There is strong evidence of two so-called pottery cultures, the Yang-shao culture (3950-1700 B.C.) and the Lung-shan culture (2000-1850 B.C). Written records go back more than 3,500 years, and the written history is (as is the case with Ancient Egypt) divided into dynasties, families of kings or emperors. The voluminous records kept by the ancient Chinese provide us with knowledge into their strong sense of their real and mythological origins – as well as of their neighbors. By about 2500 B.C. the Chinese knew how to cultivate and weave silk and were trading the luxurious fabric with other nations by about 1000 B.C. The production and value of silk tell much about the advanced state of early Chinese civilization. Cultivation of silkworms required mulberry tree orchards, temperature controls and periodic feedings around the clock. More than 2,000 silkworms were required to produce one pound of silk. The Chinese also mastered spinning, dyeing and weaving silk threads into fabric. Bodies were buried with food containers and other possessions, presumably to assist the smooth passage of the dead to the next world. The relative success of ancient China can be attributed to the superiority of their ideographic written language, their technology, and their political institutions; the refinement of their artistic and intellectual creativity; and the sheer weight of their numbers. A recurrent historical theme has been the unceasing struggle of the sedentary Chinese against the threats posed by non-Chinese peoples on the margins of their territory in the north, northeast, and northwest. China saw itself surrounded on all sides by so-called barbarian peoples whose cultures were demonstrably inferior by Chinese standards. This China-centered (“sinocentric”) view of the world was still undisturbed in the nineteenth century, at the time of the first serious confrontation with the West. Of course the ancient Chinese showed a remarkable ability to absorb the people of surrounding areas into their own civilization. The process of assimilation continued over the centuries through conquest and colonization until what is now known as China Proper was brought under unified rule. SHIPPING & RETURNS/REFUNDS: Due to its fragile nature this particular piece is only shipped in an oversized box with lots of Styrofoam peanuts. The shipping weight of this item is 4 pounds. Additional items shipped together do result in a discount. We can add most other items we offer to the shipment for only $0.99 each. Your purchase will ordinarily be shipped within 48 hours of payment. We package as well as anyone in the business, with lots of protective padding and containers. All of our shipments are fully insured against loss, and our shipping rates include the cost of this coverage (through stamps.com, Shipsaver.com, the USPS, UPS, or Fed-Ex). International tracking is provided free by the USPS for certain countries, other countries are at additional cost. We do offer U.S. Postal Service Priority Mail, Registered Mail, and Express Mail for both international and domestic shipments, as well United Parcel Service (UPS) and Federal Express (Fed-Ex). Please ask for a rate quotation. Please note for international purchasers we will do everything we can to minimize your liability for VAT and/or duties. But we cannot assume any responsibility or liability for whatever taxes or duties may be levied on your purchase by the country of your residence. If you don’t like the tax and duty schemes your government imposes, please complain to them. We have no ability to influence or moderate your country’s tax/duty schemes. If upon receipt of the item you are disappointed for any reason whatever, I offer a no questions asked 30-day return policy. Send it back, I will give you a complete refund of the purchase price; 1) less our original shipping/insurance costs, 2) less any non-refundable fees imposed by eBay. Please note that eBay may not refund payment processing fees on returns beyond a 30-day purchase window. So except for shipping costs, we will refund all proceeds from the sale of a return item, eBay may not always follow suit. Obviously we have no ability to influence, modify or waive eBay policies. ABOUT US: Prior to our retirement we used to travel to Eastern Europe and Central Asia several times a year seeking antique gemstones and jewelry from the globe’s most prolific gemstone producing and cutting centers. Most of the items we offer came from acquisitions we made in Eastern Europe, India, and from the Levant (Eastern Mediterranean/Near East) during these years from various institutions and dealers. Much of what we generate on Etsy, Amazon and Ebay goes to support worthy institutions in Europe and Asia connected with Anthropology and Archaeology. Though we have a collection of ancient coins numbering in the tens of thousands, our primary interests are ancient/antique jewelry and gemstones, a reflection of our academic backgrounds. Though perhaps difficult to find in the USA, in Eastern Europe and Central Asia antique gemstones are commonly dismounted from old, broken settings – the gold reused – the gemstones recut and reset. Before these gorgeous antique gemstones are recut, we try to acquire the best of them in their original, antique, hand-finished state – most of them originally crafted a century or more ago. We believe that the work created by these long-gone master artisans is worth protecting and preserving rather than destroying this heritage of antique gemstones by recutting the original work out of existence. That by preserving their work, in a sense, we are preserving their lives and the legacy they left for modern times. Far better to appreciate their craft than to destroy it with modern cutting. Not everyone agrees – fully 95% or more of the antique gemstones which come into these marketplaces are recut, and the heritage of the past lost. But if you agree with us that the past is worth protecting, and that past lives and the produce of those lives still matters today, consider buying an antique, hand cut, natural gemstone rather than one of the mass-produced machine cut (often synthetic or “lab produced”) gemstones which dominate the market today. We can set most any antique gemstone you purchase from us in your choice of styles and metals ranging from rings to pendants to earrings and bracelets; in sterling silver, 14kt solid gold, and 14kt gold fill. When you purchase from us, you can count on quick shipping and careful, secure packaging. We would be happy to provide you with a certificate/guarantee of authenticity for any item you purchase from us. There is a $3 fee for mailing under separate cover. I will always respond to every inquiry whether via email or eBay message, so please feel free to write.
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